![]() ![]() My mission was to test the mix in every possible scenario and then report back to the sound engineer for the final session. Before the final mix, I was usually sent home with a test CD and cassette tape (earlier days). ![]() The pure flat response monitoring assures that the mix will sound good everywhere yet, they still cross-check. This is one of the many reasons why tracks produced in a top studio sound better than those created in a bedroom. In addition, this multi-million dollar studio used several other kinds of reference monitors - flat response, dance club simulation, living room, etc. #AUDIFIED MIXCHECKER GEARSLUTZ MOVIE#Still, it gave us an idea of what the mix would sound like in the least favorable situation - a drive-in movie theatre. What a neat idea, I thought! Of course, that was before iPhones, mp3 players, Facebook, etc. For comparison, he toggled back and forth between the monitors and the little speaker. He took out a little steel cased drive-in movie speaker and plopped it in between the studio monitors. During the final mix of a few ragtime-hip hop tracks, my engineer did something I’ll never forget. In the midst of my professional career, I spent a couple weeks at The Music Palace in New York.
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